Soft evening light through a window

Projects, curating & dramaturgy

Curating & public projects

2020
Je suis une femme d’Octobre — curator and scholarly direction. An artistic hacking of the October 1970 crisis, with Caroline Monnet, Émilie Monnet, Alexandra Pierre, Marilou Craft, Viviane Michel and Camille Robert, under the artistic direction of Ginette Noiseux.
Théâtre ESPACE GO, Montréal
2019–20
Nos héroïnes, a series of public conversations — co-founder, curator and scholarly direction.
Théâtre ESPACE GO, Montréal
2016
Québécois Playwrights Project — curator. With playwrights Sarah Berthiaume, David Paquet and Michel Marc Bouchard, in collaboration with CEAD, CRILCQ and the Délégation du Québec in New York.
Martin E. Segal Theatre Center, Graduate Center, CUNY, New York
2016
A Day with Robert Lepage — curator, with the participation of Robert Lepage.
Martin E. Segal Theatre Center, Graduate Center, CUNY, New York
2015–17
RDV_art et politique — co-founder, curator and scholar-in-residence. Including the conference Théâtre. Liberté. Scandale. (2016, with Robert Lepage and Olivier Neveux), the talk Furious Diasporas with MOTUS and the Living Theatre (2017), and Comment penser l’avenir en partage ? (2017).
Usine C, Montréal
2014–15
Art et capitalisme and Intime public — open discussion series, with UPop Montréal, Passages women’s shelter and CACTUS Montréal.
Usine C, Montréal
2011
Open Space: Spectatorship and Interdisciplinarity — project leader, with the Faculty of Philosophy of the Université libre de Bruxelles.
Les Halles de Schaerbeek, Brussels
2009–14
UPop Montréal — co-founder and organizer of more than 300 free public talks in cafés, libraries, art centres and bars.
Montréal

Dramaturgy

2021
La Brèche by Naomi Wallace, directed by Solène Paré.
Théâtre ESPACE GO, Montréal
2021
Écorchure by Mellissa Larivière.
Centre du Théâtre d’Aujourd’hui, Montréal — cancelled
2019
Atteintes à sa vie by Martin Crimp, directed by Philippe Cyr.
Usine C, Montréal — cancelled due to COVID